Born at Oporto (Portugal), conductor Miguel Graça Moura graduated in Piano and Composition at the Oporto National Conservatory of Music (both diplomas with the highest grade), where he became later teacher of Composition. At the same time, he graduated in Architecture. As a composer, he received international acclaim (some of his works have been played in various countries), had some pieces commissioned by international festivals like Strasburg and won first prize at Naples Festival 1986. He also worked as assistant of Portuguese minister of Education, leading the national commission that reformed the artistic education in Portugal. With the help of scholarships from Portuguese Government, Calouste Gulbenkian Foundation and French Government, he studied, in Strasbourg (France), Conducting with Jean-Sébastien Béreau and Musical Analysis with René Schmidt (graduating with “Premier Prix” in both courses). After he taught Orchestra, Orchestral Conducting and Chamber Music at Reims National Conservatory (France) and became assistant of his ex-teacher J.-S. Béreau. He was Musical Director of “Música Viva” Ensemble (1975 to 1980), Strasbourg University Orchestra (1982 to 1984), Grenoble University Symphony Orchestra (1984 to 1986), Portuguese Youth Orchestra (1986 to 1994), Chamber Orchestra “La Folia” (1987 to 1992) and Lisbon Metropolitan Orchestra (1992 to 2003). He also founded and directed in Lisbon the four music schools related to LMO. He conducted almost all Portuguese professional orchestras and many others in the 34 countries (in Europe, America and Asia). He conducted famous soloists like Maria João Pires, Augustin Dumay and Tatiana Nikolaeva, among many others. He is member, since 2003, of the jury of “Prokofiev” International Competition for Conductors (S. Petersburg, Russia). Miguel Graça Moura has recorded over twenty CDs, published by Philips Classics, RCA Classics and EMI Classics, as conductor of various orchestras from Portugal and abroad. (from text by Miguel Graça Moura)
Madalena Soveral was born in Porto, where she studied music, first under mother guidance, Hélia Soveral, later under Reine Gianoli, Marian Rybicki and Claude Helffer. In 1966 she was awarded the “900 Musicale Europeo” prize, in Naples (Italy). Madalena Soveral has given regular concerts since 1990, both solo and with orchestra, as well as various forms of chamber music festivals of Naples, Santiago de Compostela, Sceaux, Festival de Montpellier-Radio France, Mantova (Italy), The UNESCO Twentieth Century Music Festival (Paris), Música Nova (Brasil), The 1st Lisbon Festival of Contemporary Musics (Lisbon, T.N.S.C.), to name but a few. During her career, she has focused on a 20th century repertoire working with a variety of composers and performers. She has performed the world premiere of numerous pieces, including those written especially for her: Estudos de Sonoridades (Filipe Pires), Interrogations (Miguel Graça Moura), Dominos (Sharon Kanach), In Tempore, for piano and electronic (João Pedro Oliveira), and Episode, for two pianos and two percussions (Francis Bayer). Coordenator Professor at the Escola Superior de Música e das Artes do Espectáculo do Porto, she’s been working in the last hears on a research project on 20th Century Portuguese Piano Music, at the University of Paris 8. Étude Analytique des Litanies du feu et de la mer d’Emmanuel Nunes, carried out between 1997-99, is the first part of that work. In 2005 she completed the Doctorat in Music with the teses Quatre compositeurs, Quatre oeuvres: la musique portugaise pour piano des années 90, about the piano’s compositions by António Pinho Vargas, Filipe Pires, João Pedro Oliveira and João Rafael. Since 2006 she joined the research Center CESEM of the Universidade Nova de Lisboa. (adapted from text by Madalena Soveral)