Nuno Dario is an explorative composer; his aesthetical concerns are focused on blurring the boundaries between musical genres. He began his musical studies privately with Dulce Nagy. He then studied classical guitar with Piñeiro Nagy at Academia de Amadores de Musica, composition with Christopher Bochmann, piano with Alexei Eremine and conducting with Roberto Perez. From 1999 to 2003 and 2005/06 he got his first degree in Composition with distinction from Lisbon College of Music, where he worked with composers Sérgio Azevedo, Christopher Bochmann and Luís Tinoco. His professional activity spreads over several musical genres, writing music for film and television as well as for the Web. Many of his works have been performed in Portugal and abroad by MikroDuo (in Switzerland), Trio GrandOpus or Epabi Symphony Orchestra to name just a few. A special highlight to his most appreciated theatre works such as ‘Dracula’ or ‘Hamlet’ (music and sound design) for the Lisbon Players. Nuno also kept furthering his conducting studies with Ernst Schelle and Neil Thomson leading to a freelance conducting career. He was principal conductor at Gymnasium Opera Classical Orchestra, co-musical director of Ensemble JER and he performed at prestigious venues with orchestras such as Epabi and Esproarte Symphony, Tejo National and other contemporary music chamber ensembles. He taught Analysis and Techniques of Composition, Choir and Orchestra at several music conservatories and professional school of music in Portugal from 2001 to 2007. In 2008 he enrolled on his composition PhD program at Royal Holloway College in London under the supervision of British film composer Brian Lock; his thesis being focused on film music. Nuno was granted the PhD scholarship by the Foundation for Science and Technology, a department of the Portuguese Ministry of Science and High Education. (text by Nuno Dario)
Showing posts with label Roberto Perez. Show all posts
Showing posts with label Roberto Perez. Show all posts
2009/09/16
Nuno Dario
Nuno Dario is an explorative composer; his aesthetical concerns are focused on blurring the boundaries between musical genres. He began his musical studies privately with Dulce Nagy. He then studied classical guitar with Piñeiro Nagy at Academia de Amadores de Musica, composition with Christopher Bochmann, piano with Alexei Eremine and conducting with Roberto Perez. From 1999 to 2003 and 2005/06 he got his first degree in Composition with distinction from Lisbon College of Music, where he worked with composers Sérgio Azevedo, Christopher Bochmann and Luís Tinoco. His professional activity spreads over several musical genres, writing music for film and television as well as for the Web. Many of his works have been performed in Portugal and abroad by MikroDuo (in Switzerland), Trio GrandOpus or Epabi Symphony Orchestra to name just a few. A special highlight to his most appreciated theatre works such as ‘Dracula’ or ‘Hamlet’ (music and sound design) for the Lisbon Players. Nuno also kept furthering his conducting studies with Ernst Schelle and Neil Thomson leading to a freelance conducting career. He was principal conductor at Gymnasium Opera Classical Orchestra, co-musical director of Ensemble JER and he performed at prestigious venues with orchestras such as Epabi and Esproarte Symphony, Tejo National and other contemporary music chamber ensembles. He taught Analysis and Techniques of Composition, Choir and Orchestra at several music conservatories and professional school of music in Portugal from 2001 to 2007. In 2008 he enrolled on his composition PhD program at Royal Holloway College in London under the supervision of British film composer Brian Lock; his thesis being focused on film music. Nuno was granted the PhD scholarship by the Foundation for Science and Technology, a department of the Portuguese Ministry of Science and High Education. (text by Nuno Dario) 
2009/02/09
ka'mi
Composer [ka’mi] was born in Lisbon, in 1973. He studied guitar and graduated in Musicology in 2001 by the UNL-FCSH (under Mário Vieira de Carvalho, Rui Vieira Nery, Salwa Castelo-Branco, Manuel Carlos de Brito, Luísa Cymbron and Tomás Henriques, among others), then studied Composition at the ESML (Christopher Bochmann, António Pinho Vargas, Luís Tinoco, João Madureira, Roberto Perez and Sérgio Azevedo, among others). He attended the Summer Courses in Darmstadt in 2004 (Brian Ferneyhough, Georg Friedrich Haas, Toshio Hosokawa, Chaya Czernowin, Enno Poppe and Wolfgang Mitterer). In 2005 he attended the Composition Seminars with Emmanuel Nunes at the Gulbenkian Foundation. In 2006, the work for ensemble O Berio is presented in the “Música Viva” Festival in Lisbon. Selected for the 3rd, 5th and 6th Gulbenkian Orchestra Workshop for Young Composers with the works Fragment for Ensemble, Glosa (in memoriam) for Orchestra and Peça para Eça for Orchestra, conducted by Guillaume Bourgogne and Joana Carneiro. After graduating in Composition, he pursued his studies in Composition with a post-graduate course with Gerd Kühr and Pierluigi Billone at KUG in Graz, Austria. He was selected for the 1st Atelier for young Composers with Algarve Orchestra in 2007 with the work Oito Minutos para Orquestra, conducted by Cesário Costa. He attended the IMPULS 2007 seminars in Graz, supervised by Beat Furrer, Enno Poppe and the ensemble KlangforumWien, and was invited to be part of the official Portuguese section for the Festival ISCM - World Music Days 2008, in Lithuania. He was selected for the Festival “Steirischer Herbst” in co-production with “Musikprotokoll”- ORF. In 2008, the work Rastos de uma Resposta for trumpet was commissioned by Antena 2/RTP for the Young Musicians Award 2008. He’s currently producing his Doctorate thesis with Prof. Reinhard Kapp at MDW in Vienna, Austria, on the subject of Microtonality. (adapted from text by ka'mi).ka'mi's "Jenseits des klanges", by the Ensemble für Neue Musik KUG, cond. Edo Micic (2nd Renaissance of Portuguese Composition project on You Tube:
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