Teresa Valente Pereira

Cellist Teresa Valente Pereira (b. 1982, in Lisbon) started studying cello at 6 with Maria José Falcão and completed with honours undergraduate studies with Paulo Gaio Lima. She got her post graduate diploma at the Reina Sofia School (Madrid) in the class of Natalia Shakovskaya and finished her studies doing a Konzertexam Diploma with Christoph Richter. Participated in various cello masterclasses with Xavier Gagnepain, Steve Doane, Miklós Peréyni, Natalia Gutman and others, and chamber music masterclasses with Walter Levin, Veronica Hagen and Erich Höbarth, among others. She was awarded several prizes and distinctions, among which the 1st prize of the Young Musicians Radio Award and the Estoril's International Competition. She played as a soloist and chamber musician in some of the most important music halls in Portugal, Spain, Italy, France and Venezuela. Her performances with Hansjorg Schellenberger, Antoni Ros-Marbá, Ronald Zollman conducting the Gulbenkian, Portuguese Symphony, Oporto National and “Freixenet” Reina Sofia orchestras, were highly acclaimed. She participated in various national and international festivals. She was a member of Grupo Albéniz, performing regularly in Portugal and Spain. First solo recording was released in 2002 with pianist Bruno Belthoise, including the first recording ever of Armando José Fernandes’ Sonata for cello and piano. She also recorded for the Portuguese and the Spanish Classical Radios. She was a member of the EUYO Orchestra, working with Sir Colin Davis and playing at the Royal Albert Hall and the Philharmonie Berlin. She was Principal cello of the Lisbon Metropolitan and the Asturias Symphony and collaborates regularly with the Gulbenkian Orchestra. Currently she’s involved in a new chamber music project, Trio Pangea, with Bruno Belthoise and violinist Adolfo Carbajal. (adapted from text by Teresa Valente Pereira)

Bruno Belthoise

Photo: Christof Aubrian

Since he was awarded the Prix de la Fondation de France in 1988 and graduated from the Ecole Normale de Musique of Paris, pianist Bruno Belthoise has always liked surprising people with his choice of repertoire. A discoverer of music scores and an authority on 20th century Portuguese music, he has recorded five monographs (Disques Coriolan) that were just as many world premieres. He has delivered lectures and given recitals in Europe and in America and collaborates with Portuguese radio station Antena 2 on a regular basis for live concerts and recordings. His contribution toward making this music known has been encouraged by the most prestigious institutions in Portugal (Ministery of Culture, Gulbenkian Fondation, Camões Institut). Prize-winner of the Fondation Laurent-Vibert in 1991 and 1992 and “Classical Revelation” of ADAMI in 1997, he’s been invited to numerous festivals in France. His repertoire ranges from J.S. Bach to contemporary composers such as Alexandre Delgado, Sérgio Azevedo and Emmanuel Hieaux. He conceived and recorded three albums for La Librairie Sonore. Thanks to the performances he put together for young audiences like Babar et autres histoires, Hänsel and Gretel, Les aventures de Poucette, he gave tour concerts to thousands of children throughout France and in French-speaking countries. His need for diversity in the means of expression at his disposal led him to meet Syrian singer-composer Abed Azrié. Together they set up recitals and conceived an album, Chants d’amour et d’ivresse. He also composed a wind quintet for The Concert Impromptu. Since 2003 he’s been working as a pianist, composer and actor with the Compagnie Alain Rais. Inspired by the theatre and poetry, he ranges from Federico Garcia Lorca to Habib Tengour, lingering over René Char’s dazzling language and Maria Helena Vieira da Silva’s vibrant painting. (adapted from text by Bruno Belthoise)

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