Born in Lisbon, in 1971, baritone Mário Redondo has a degree in Law, completed the Course for Actors (ESTC), and attended the Singing Course of Lisbon’s Conservatory. Most important professional opera work: “Il Matrimonio Segreto”, D.Cimarosa - Geronimo (T.N.São Carlos, 2000); “Albert Herring”, B. Britten - Sid (T.Aberto, 2002); “Trouble in Tahiti”, L.Bernstein - Sam (Amiens - France, 2003); “Os Fugitivos”, J.E.Rocha (world premiere - T.Trindade, 2004); “Simon Boccanegra”, Verdi - Pietro (TNSC, 2004); “Beggar’s Opera”, Gay/Britten - Lockit (Teatro Aberto, 2005); “The Nose”, Chostakovitch – Ivan Iakovlevitch (TNSC, 2006); “Le Nozze di Figaro”, Mozart - Count (T.Trindade, 2006); “Tosca”, Pucinni - Angelotti (S.Carlos, 2008); and “Fidelio”, Beethoven – D.Fernando (TNSC, 2008). Soloist in: “The Seven Deadly Sins”, Kurt Weill (T.Camões, OSP, 2000); “Swing, Dig The Rhythm”, with music by L.Bernstein (Royaumont - France, 2003); “Mass in B Minor”, Bach (Belfast, 2006); “Night Waltz – the music of Paul Bowles” (CCB, 2007); and “In Terra Pax”, Frank Martin (TNSC, 2008). Has worked since 1992 as a professional actor. Most important works in this area: the plays “Kvetch” (S.Berkoff - T.Trindade, 2004) and “The Misanthrope” (Molière – Lisbon, 2009); and the movies “Sinais de Fogo” (Luís Filipe Rocha, 1994), “Capitães de Abril” (Maria de Medeiros, 1999), and “Amália” (C.Coelho da Silva, 2008). Lately, he’s engaged in a very successful musical theatre career, of which the best examples are “The Threepenny Opera”, in the role of Mack The Knife (T.Aberto, 2005); the world premiere of “Einstein’s Dreams”, by J.Rosemblum and J.S.Lessner, in the role of Einstein (T.Trindade, 2005/2006); the leading role in “Sweeney Todd” (T.Aberto, 2007); and “Evil Machines”, a musical fantasy by Monty Python's Terry Jones with music by Luís Tinoco (T.S.Luiz, 2008). (text by Mário Redondo)
Showing posts with label José Eduardo Rocha. Show all posts
Showing posts with label José Eduardo Rocha. Show all posts
2010/01/09
Mário Redondo
Born in Lisbon, in 1971, baritone Mário Redondo has a degree in Law, completed the Course for Actors (ESTC), and attended the Singing Course of Lisbon’s Conservatory. Most important professional opera work: “Il Matrimonio Segreto”, D.Cimarosa - Geronimo (T.N.São Carlos, 2000); “Albert Herring”, B. Britten - Sid (T.Aberto, 2002); “Trouble in Tahiti”, L.Bernstein - Sam (Amiens - France, 2003); “Os Fugitivos”, J.E.Rocha (world premiere - T.Trindade, 2004); “Simon Boccanegra”, Verdi - Pietro (TNSC, 2004); “Beggar’s Opera”, Gay/Britten - Lockit (Teatro Aberto, 2005); “The Nose”, Chostakovitch – Ivan Iakovlevitch (TNSC, 2006); “Le Nozze di Figaro”, Mozart - Count (T.Trindade, 2006); “Tosca”, Pucinni - Angelotti (S.Carlos, 2008); and “Fidelio”, Beethoven – D.Fernando (TNSC, 2008). Soloist in: “The Seven Deadly Sins”, Kurt Weill (T.Camões, OSP, 2000); “Swing, Dig The Rhythm”, with music by L.Bernstein (Royaumont - France, 2003); “Mass in B Minor”, Bach (Belfast, 2006); “Night Waltz – the music of Paul Bowles” (CCB, 2007); and “In Terra Pax”, Frank Martin (TNSC, 2008). Has worked since 1992 as a professional actor. Most important works in this area: the plays “Kvetch” (S.Berkoff - T.Trindade, 2004) and “The Misanthrope” (Molière – Lisbon, 2009); and the movies “Sinais de Fogo” (Luís Filipe Rocha, 1994), “Capitães de Abril” (Maria de Medeiros, 1999), and “Amália” (C.Coelho da Silva, 2008). Lately, he’s engaged in a very successful musical theatre career, of which the best examples are “The Threepenny Opera”, in the role of Mack The Knife (T.Aberto, 2005); the world premiere of “Einstein’s Dreams”, by J.Rosemblum and J.S.Lessner, in the role of Einstein (T.Trindade, 2005/2006); the leading role in “Sweeney Todd” (T.Aberto, 2007); and “Evil Machines”, a musical fantasy by Monty Python's Terry Jones with music by Luís Tinoco (T.S.Luiz, 2008). (text by Mário Redondo)
Subscribe to:
Posts (Atom)