As a student of the Lisbon National Conservatory of Music, tenor José Carlos Xavier studied singing, particularly with Cristina de Castro. At a very young age, he joined the Choir of São Carlos National Theatre. He made his debut as a soloist at that theatre, interpreting roles in the operas "Miguel Mañara", “Der Rosenkavalier”, "Rigoletto", "Fedora", "Louise" and "Dona Mécia". At the invitation of conductor Michel Corboz, he joined the Chamber Music Group of the Calouste Gulbenkian Foundation and sang as a solo performer in Spain and Italy. He was a scholar of the Calouste Gulbenkian Foundation for five years, which he spent in Italy at the Liceo G. B. Viotti, in Vercelli and where, supervised by Zita Fumagalli, he successfully graduated in Singing, obtaining the highest classification and a summa cum laude mention by the panel. José Carlos Xavier chose to live in Italy. He sang at a wide range of music festivals, such as Aix-en-Provence, Toulon (where he was considered best vocal participant in the concert by Le Figaro’s critic Clarendon), Tuscany, the 1st Music Festival of Lagos, Vilar de Mouros and Kriens Music Festival (Lucerne). In the field of opera, he played, among others, Ernesto in "Don Pasquale”, Peppe in "I Pagliacci", Des Grieux in "Manon Lescaut”, Werther in “Werther”, and, more recently, Tamino in "Die Zauberflöte", with the Kammeroper in Zollikofen. Together with the Association "Amici della Lirica", he performed several recitals in various Italian cities and also abroad. Upon his return to Portugal, José Carlos Xavier started to collaborate regularly with the Secretary of State for Culture and gave recitals on a national scale. He gave performances in Macao, as well as in India, Japan and Thailand. He commercially recorded a cycle of “Troubadour Songs” by Frederico de Freitas and a cycle of originals by F. Lopes Graça. He also recorded for RTP (Portuguese Broadcasting Corporation) and for RTE – Spanish Television, as well as for the Portuguese and French National Broadcast Radio Companies. He teaches singing courses at the Lisbon National Conservatory of Music, where he has supervised some of the most prominent Portuguese young lyrical singers. He is the founder and the president of the “Luísa Todi National Singing Competition” (seven editions) and a frequent member of panels at national and international competitions, namely the Rio de Janeiro Theatro Municipal Singing Competion, in September 2010.(from text by José Carlos Xavier)
