Nuno Dario

Nuno Dario is an explorative composer; his aesthetical concerns are focused on blurring the boundaries between musical genres. He began his musical studies privately with Dulce Nagy. He then studied classical guitar with Piñeiro Nagy at Academia de Amadores de Musica, composition with Christopher Bochmann, piano with Alexei Eremine and conducting with Roberto Perez. From 1999 to 2003 and 2005/06 he got his first degree in Composition with distinction from Lisbon College of Music, where he worked with composers Sérgio Azevedo, Christopher Bochmann and Luís Tinoco. His professional activity spreads over several musical genres, writing music for film and television as well as for the Web. Many of his works have been performed in Portugal and abroad by MikroDuo (in Switzerland), Trio GrandOpus or Epabi Symphony Orchestra to name just a few. A special highlight to his most appreciated theatre works such as ‘Dracula’ or ‘Hamlet’ (music and sound design) for the Lisbon Players. Nuno also kept furthering his conducting studies with Ernst Schelle and Neil Thomson leading to a freelance conducting career. He was principal conductor at Gymnasium Opera Classical Orchestra, co-musical director of Ensemble JER and he performed at prestigious venues with orchestras such as Epabi and Esproarte Symphony, Tejo National and other contemporary music chamber ensembles. He taught Analysis and Techniques of Composition, Choir and Orchestra at several music conservatories and professional school of music in Portugal from 2001 to 2007. In 2008 he enrolled on his composition PhD program at Royal Holloway College in London under the supervision of British film composer Brian Lock; his thesis being focused on film music. Nuno was granted the PhD scholarship by the Foundation for Science and Technology, a department of the Portuguese Ministry of Science and High Education. (text by Nuno Dario)

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Paulo Ferreira Lopes

Composer Paulo Ferreira Lopes studied composition with Constança Capdeville in Lisbon between 1988 and 1991. In 1994 he moved to Paris. Between 1995 and 1997 studied Composition in Paris with Emmanuel Nunes, Antoine Bonnet and Computer Music with Curtis Roads. In 1996 he received a Master in Composition at the University of Paris VIII under the advice of Horacio Vaggione. In 1996 further studies in composition with Karlheinz Stockhausen at the "Internationale Ferienkurse für Neue Musik", Darmstadt. Also in 1996, distinguished as Researcher with a scholarship of the French Government by the "Ministere de la Recherche" at the "Departement d’Esthétique et Technologies des Arts" of University of Paris VIII. In 1997, composition-prize at the exhibition "Documenta X" in Kassel, Germany. Founder and Director (between 1992/95) of the Electronic Music Studio C.C.I.M. Founder and Director (2000) of the Summer Workshops - olhAres de Outono at Univesity Catholic Porto. Since 1998, artist in residence and researcher at ZKM - Zentrum für Kunst und Medientechnologie - Karlsruhe Germany. Since 2002, member from the European Parlament of Culture. In 2004 he received the Doctor degree from the University of Paris VIII. Since June 2004, Director from the Research Centre for Science and Technology in Art CITAR and Professor at Portuguese Catholic University. Since 2007 invited Professor at Karlsruhe Music University - Music Informatic Departement. In 2004 his work was selected by the International Society for Contemporary Music to represent Portugal in the World Music Days 2004. Paulo Ferreira-Lopes works has been produced in international festivals - Musica Strasbourg, Música Viva, Estoril Summer Festival, documenta X - Essen, Biennal S. Paulo, ZKM-Karlsruhe, World Music Day’s, Gulbenkian Foundation, Expo 98 Portugal , through important ensembles of the contemporary artistic scnene as AccrocheNote, OrchestrUtopica , Ensemble Modern Frankfurt, etc..

(text by Paulo Ferreira Lopes)

Works:

http://ima.zkm.de/~pfl/ceT_5_8.mp4
http://ima.zkm.de/~pfl/tal.mp4

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Ana Irene Rodrigues

Saxophonist Ana Irene Vasconcelos Rodrigues was born in 1986 in Puerto-Cabello, Venezuela. At the age of five years old, she went to live in Madeira island, Portugal. When she was eight years old she started to have piano lessons at the School of music and arts of Madeira (Conservatório-Escola Profissional das Artes da Madeira. Two years later she started also to play the saxophone, with Duarte Basílio at the same school, and later on she also started to play in the village fanfare (Banda Municipal de Machico). In 2000 Ana Irene entered the Professional Course of Music in the School of music of Madeira, where at 17 she finished her high school specialized in music. During this three years of education she had the chance to participate and play with several groups like wind orchestras, saxophone quartet, choir, big band, contemporary group. She also did several master-classes and courses with Jean-Ives Formeu and his saxophone quartet, Demetrio Mendez, The Coimbra Saxophone Quartet, João Figueiredo, Manuel Silva and Henk van Twillert, etc. During her studies besides many concerts in Madeira, Irene went to perform in Finland, Spain, England, Açores, etc. Since 2004, she studies at the Conservatorium van Amsterdam, as a student of the class from Henk van Twillert. During these years, Irene has performed in many cities of Europe with saxophone ensemble, saxophone quartet, trio, duo and many other chamber music groups. After one year an a half of non-playing due to an injury on the left arm, she re-started playing and performing again in the summer of 2009. During the 1st Semester of the school year 2009/2010, she went to study at the conservatorio "Giuseppi Verdi" in Milano, Italia for four months in the saxophone class of Mario Marzi. Now, back to Amsterdam, Irene is at the 3rd year of her bachelour studies, in the saxophone class of Arno Bornkamp.


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Pedro Rodrigues

Winner of Artist's International Auditions (New York), Sor Competition (Rome), Young Musicians Award (Lisbon) and prizewinner at Paris, Verona, Valencia, Montelimar, Sernancelhe among other competitions, guitarist Pedro Rodrigues started his musical studies at the age of 5 and the study of classical guitar at 9 with José Mesquita Lopes with whom he completed his course of study with highest honours and as recipient of the Gulbenkian Scholarship. Later, he continued his studies with Alberto Ponce at the École Normale de Musique de Paris, receiving the Diplome Supérieur de Concertiste de Guitare "a l'unanimité avec felicitations" and he has also taken master classes with Leo Brouwer, David Russell, Joaquin Clerch e Darko Petrinjiak. Pedro Rodrigues performed either as soloist, chamber music ensembles or orchestras (Gulbenkian, Filarmonia das Beiras, Algarve's among others) in Europe, America and Africa in prestigious halls like Carnegie's Weill Hall - New York, Salle Cortot - Paris, Ateneo - Madrid, Endler Hall - Cape Town, Centro Cultural de Belém - Lisbon, Gulbenkian Foundation - Lisbon, Casa da Música - Oporto and he is regularly invited to teach masterclasses in Europe and USA. Mr. Rodrigues recorded for RTP, RDP, RTM, SABC, WIPR Broadcasting Companies and for NUMÉRICA, JNS Music and Nuova Venezia recording labels.

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José Luís Ferreira

Composer José Luís Ferreira (b. 1973, Lisbon) made his First Degree in composition at the Escola Superior de Música de Lisboa, in 2001, where he studied with Christopher Bochmann, António de Sousa Dias and António Pinho Vargas. He attended several composition courses, workshops and seminars in Portugal with Emmanuel Nunes, Salvatore Sciarrino, Jean-Claude Risset, John Chowning, Per Anders Nilsson, Trevor Wishart e André Bartetski. Presently, he's doing a PhD Music research on Computer Music at Universidade Católica Portuguesa (UCP) in Oporto/ CITAR (Research Center For Science and Technology in Art). His music, for different kinds of instrumentation with or without electronics, has been performed by several portuguese musical ensembles (Remix Ensemble / Orchestrutópica / Sinfonietta de Lisboa / Ricercare / Saxofínia/ Machina Mundi). In 2001, he won the Festival Musica Viva's acusmatic composition contest with the piece “Le bruit d`une tête qui frappe contre les murs d`une très petite cellule”. He also works as a musical assistant (computer music) with several composers performers/ ensembles, namely: Francisco Monteiro, João Madureira, Luís Tinoco, José Júlio Lopes, Orchestrutópica, Orquestra Metropolitana and Machina Mundi. Since 2002, José Luís Ferreira has lectured several courses at the Escola Superior de Música de Lisboa, Faculdade de Belas Artes and Escola Técnica de Imagem e Comunicação (ETIC).

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Cesário Costa

Cesário Costa (b. 1970) is one of the most active conductors of his generation in Portugal. He studied in Paris, where he finished his Piano Graduation, and in Germany, where he completed his Degree with the highest grade and Master’s Degree in Orchestral Conducting at Würzburg Music Academy. In 1997, he won the first prize of 3rd International Competition for Young Conductors organised by Fundação do Oriente. That same year, he received a scholarship from Bayreuth Music Festival. He has been invited to conduct many orchestras in Portugal and others such as the Royal Philharmony Orchestra, Nuremberg Symphony Orchestra, Ensemble für Neue Musik (Germany), Arhus Sinfonietta (Denmark), Macedonia Philharmony Orchestra, Rome Philharmony Orchestra, Sudecka Philharmony and Rzeszów Philharmony (Poland), Orquesta de Extremadura (Spain). He has performed in many countries such as Spain, France, Germany, Belgium, England, Italy, Denmark, Macedonia, Malaysia and Brazil, and appeared in several Music Festivals. His repertoire ranges from baroque to contemporary, including the world première of more than seventy pieces. He collaborates on a regular bases with some of the most important concerts halls in Portugal. He was Artistic Director and Principal Conductor of Espinho Classical Orchestra and Algarve Orchestra. He was awarded the medal of cultural merit by Vila Nova de Gaia’s City Hall. He is the Vice-President of the jury of the Young Musicians Prize organised by the RDP-Antena 2. Currently, he’s the President of the Board of Metropolitana/ Lisbon Metropolitan Orchestra. He’s also Principal Guest-Conductor of the Algarve Orchestra, Artistic Director of the Promenade Concerts organised by Coliseu do Porto and Principal Conductor of OrchestrUtopica. (adapted from text by Cesário Costa).

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Teresa Valente Pereira

Cellist Teresa Valente Pereira (b. 1982, in Lisbon) started studying cello at 6 with Maria José Falcão and completed with honours undergraduate studies with Paulo Gaio Lima. She got her post graduate diploma at the Reina Sofia School (Madrid) in the class of Natalia Shakovskaya and finished her studies doing a Konzertexam Diploma with Christoph Richter. Participated in various cello masterclasses with Xavier Gagnepain, Steve Doane, Miklós Peréyni, Natalia Gutman and others, and chamber music masterclasses with Walter Levin, Veronica Hagen and Erich Höbarth, among others. She was awarded several prizes and distinctions, among which the 1st prize of the Young Musicians Radio Award and the Estoril's International Competition. She played as a soloist and chamber musician in some of the most important music halls in Portugal, Spain, Italy, France and Venezuela. Her performances with Hansjorg Schellenberger, Antoni Ros-Marbá, Ronald Zollman conducting the Gulbenkian, Portuguese Symphony, Oporto National and “Freixenet” Reina Sofia orchestras, were highly acclaimed. She participated in various national and international festivals. She was a member of Grupo Albéniz, performing regularly in Portugal and Spain. First solo recording was released in 2002 with pianist Bruno Belthoise, including the first recording ever of Armando José Fernandes’ Sonata for cello and piano. She also recorded for the Portuguese and the Spanish Classical Radios. She was a member of the EUYO Orchestra, working with Sir Colin Davis and playing at the Royal Albert Hall and the Philharmonie Berlin. She was Principal cello of the Lisbon Metropolitan and the Asturias Symphony and collaborates regularly with the Gulbenkian Orchestra. Currently she’s involved in a new chamber music project, Trio Pangea, with Bruno Belthoise and violinist Adolfo Carbajal. (adapted from text by Teresa Valente Pereira)

Fábio Machado

Fábio Machado (b. 1985, in Funchal, Madeira) started studying mandolin at the age of 9 and later on joined the Madeira Mandolin Orchestra (Recreio Musical União da Mocidade) and advanced to Concertmaster. He played on radio and national television and recorded two CDs with the Orchestra, named “A Bem da Arte II” and “Bandolins” (“Mandolins”). Machado toured Portugal in 1998 with stops in Águeda, Vila do Conde, Benavente, Santarém and Expo 98. In 2002 he joins the Orchestra on a tournée through the United Kingdom, playing 9 concerts in various locations such as St. George’s Bristol, and in the St. George’s Windsor Chapel. The last concert was officially inserted in the celebrations of the Jubilee of Queen Elizabeth II of England. In 2002 Machado played some N. Paganini Caprices (Solo) at Teatro Municipal Baltazar Dias; in 2004 he recorded a DVD with the MMO at the same theatre, performing as a soloist. Machado is particularly fond of contemporary music and a mandolin work has been especially written for him by the Norwegian composer Oddvar Kvam, “A Special Day” for Mandolin and Piano. In September 2006 performed in "Romeo and Juliet" of S. Prokofiev, at "La Fenice" Theatre in Venice, under the direction of Myron Romanul, Orchestra del Teatro La Fenice together with the Bayerisches Staatsballett. He has appeared in England, Italy, Germany and USA. In November 2004 he joins the Superior Course of Mandolin at the Conservatory of Music "Alfredo Casella” in L’Aquila and currently studies at the Conservatory “Cesare Pollini” in Padua, always under the instruction of well renowned instructor and artist Dorina Frati. (adapted from text by Fábio Machado)

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Fábio Machado and the Madeira Mandolin Orchestra play Tomaso Vitali's "Chaconne in G minor":

Carlos Marecos

Composer Carlos Marecos (b. 1963, Lisbon) graduated in Composition, in 1999, at the Lisbon Superior School of Music, where he studied with Eurico Carrapatoso, António Pinho Vargas and Christopher Bochmann. He won the composition prize Prémio Lopes-Graça in 1999 and 2000. He has received commissions from numerous important cultural entities including Culturgest, the Gulbenkian Foundation Centre for Modern Art (ACART), the World Exhibition - Lisbon 1998, OrchestrUtópica, the Estoril International Music Festival and Cistermúsica - Alcobaça Music Festival. He directs the chamber ensemble “Ensemble Portátil”, which is dedicated to contemporary repertoire and modern settings of Portuguese folk music. In the areas of theatre and dance, he has worked with the stage directors João Brites, Raul Atalaia, Luís Miguel Cintra, as well as the choreographers Madalena Victorino and Vera Mantero. Since 2002, Marecos has been developing staged works regularly with a team of artists including soprano Margarida Marecos, stage director Paulo Lages, actor Guilherme Filipe, set designer Acácio de Carvalho and costume designer Manuela Bronze. Together, they staged productions such as “La Serva Padrona/A Criada Patroa” (a modern version of Pergolesi’s intermezzo musicalle, with orchestration by Marecos – 2002), “Caminho ao Céu” (musical theatre, staged by Paulo Lages - 2003) and “O Fim – Ópera Íntima” (a chamber opera with libretto by Paulo Lages, based on the play by António Patrício - 2004). Outside Portugal, his music has been performed in Spain, France, England, Denmark, Colombia and the USA. He is currently earning a doctorate in musical research at the University of Aveiro, with the composers João Pedro Oliveira and Christopher Bochmann. He teaches composition and analysis at the Lisbon Superior School of Music and at the Dom Dinis Conservatory in Odivelas.

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List of works

Discography

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Carlos Marecos' opera "Outro Fim", by Margarida Marecos (soprano), Guilherme Filipe (actor), cond. Humberto Castanheira (2nd Renaissance of Portuguese Composition project on You Tube):

Diogo Alvim

Portuguese composer Diogo Alvim (b. in Lisbon in 1979) finished his Diploma in Architecture in Lisbon in 2004. He had also been studying Harpsichord at the Lisbon National Conservatoire wih teacher Cândida Matos, and Analysis and Composition Techniques with teachers Carlos Gomes and Eurico Carrapatoso. He attended several harpsichord workshops and sang in several choirs. From 2004 to 2006 he lived and worked in London as an architect. During that period, he attended a course on Computer Music at the London School of Contemporary Music and the course “Compose and Perform” at the Goldsmiths University with composer Fumiko Miyachi. In the meantime, he collaborated with dancer/choreographer Tânia Carvalho on the soundtrack of her show “Explodir em Silêncio Nunca Chega a Ser Perturbador”. He returned to Lisbon to study Composition at the Lisbon Superior School of Music, and to continue his Harpsichord studies. Currently in his last year of the Composition Course, he has studied with composers Sérgio Azevedo, João Madureira, Carlos Caires and Luis Tinoco. He has also been attending the Gulbenkian Composition Seminars with Emmanuel Nunes. Diogo Alvim has had several pieces premiered at the event Peças Frescas since 2007. He participated in the 6th and 7th editions of the Gulbenkian Orchestra's Workshop, with the pieces “Pequeno Concerto para Clarinete e Paisagem” (Esther Georgie, cl.), and “Concatenação”, both conducted by Joana Carneiro. In July 2008, his piece “Topografia” was played at a “first reading” concert by Orchestrutopica with conductor Cesário Costa, held at the Portuguese Music Festival, in CCB, Lisbon. In October 2008 he premiered “Distância (Ocupação_3)”, for electronics, at a concert held at the Instituto Franco-Português, programmed by Miso Music Portugal.

Diogo Alvim's "Pequeno Concerto para Clarinete e Paisagem", by Esther Georgie (cl), Gubenkian Orchestra, cond. Joana Carneiro (2nd Renaissance of Portuguese Composition project on You Tube):

Constança Capdeville

Composer, pianist and percussionist, Constança Capdeville's musical theatre is a combination of music with scenical elements, which she put into practice with the various music groups she founded. She started her musical studies in Barcelona before permanently establishing herself in Portugal after 1951 due to the social and political circumstances that emerged from the Spanish Civil War. She carried on her higher studies at Lisbon's National Music Conservatory, where she took piano classes with Varela Cid and composition classes with Jorge Croner de Vasconcellos. She graduated in ancient music interpretation (transcription, scoring, clavichord, piano accompaniment) by attending Macário Santiago Kastner's classes. She participated in some musicology projects with Gulbenkian, the National Library and the Ajuda Library. In the summer of 1962 she held a scholarship from the Calouste Gulbenkian Foundation and took composition classes in Galicia with Philip Jarnach. This led to the piece Variações sobre o nome de Stravinski (Variations on Stravinski's name), which earned her the National Conservatory's Composition Prize. Countless seminars and improvement courses led to the presentation of her works in national and international festivals. She followed closely the performance of Lisbon University Orchestra, in which she participated many times as a composer and interpreter. She was also a member of Lisbon's Minstrels, of the chamber group Convivium Musicum and of Lisbon Contemporary Music Group. In 1969, after a request from the Calouste Gulbenkian Foundation, she participated for the first time in Gulbenkian's Music Festival, which allowed her to follow her own style, and became a regular eversince. She was a forerunner in the writing of musical theatre pieces in Portugal, a genre to which she dedicated herself more and more, especially after 1980 with the group ColecViva, founded and directed by her. She also distinguished herself in the teaching of composition, namely at Santa Cecília's Music Academy, Lisbon's Higher School of Music and the Musical Sciences Department of Lisbon's Universidade Nova. In 1992 she was awarded the posthumous honourable state title Grau de Comendador da Ordem de Santiago de Espada. (adapted from text in PMIC)

Jorge Peixinho

Jorge Peixinho was a composer, pianist, teacher, critic, lecturer, international jury member, direction member of several organizations, concert organizer and conductor. His influence was crucial for the promotion of contemporary music in Portugal and Portuguese music abroad. He studied composition and piano at the National Conservatory of Lisbon. He was awarded a scholarship from the Calouste Gulbenkian Foundation to study with Boris Porena and Goffredo Petrassi at the Accademia de Santa Cecilia in Rome, where he received the diploma of advanced studies in composition in 1961. After working with Luigi Nono in Venice he obtained another scholarship from the Gulbenkian Foundation and the Cultural Institute to study with Pierre Boulez and Karlheinz Stockhausen in Darmstadt on various occasions between 1960 and 1970. During this decade he developed a broad range of activities as a composer, pianist, teacher, concert organizer, lecturer and critic. A scholarship from the Belgian government for advanced studies in electro-acoustic music enabled him to work at the IPEM studio in Ghent in 1972-73. He later attended a workshop on music and computers at the Ircam, Paris. In 1970 he founded the Grupo de Música Contemporânea de Lisboa (Lisbon Contemporary Music Group) which has since done valuable service in promoting contemporary music (with a particular emphasis on Portuguese music) and no less in theoretical and practical exploration of the problematic of new music and of new instrumental techniques. In 1974 he received the composition prize of the Calouste Gulbenkian Foundation and in 1976 that of the Portuguese performing rights society. In 1977 he was elected member of the Presidential Council of the ISCM (international Society for Contemporary Music). Throughout this period he collaborated regularity with the Gulbenkian Foundation's Contemporary Music Encounters. He taught at the National Conservatory of Lisbon. In recent years, before his untimely death at the age of 55, he was greatly in demand as a jury member and participant for both lectures and concerts. (adapted from text in PMIC)

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